A TOTAL of 25 of the world’s finest young singers will be heading to North Wales to compete for a prestigious international prize.

Entrants from five continents will be battling for the title of Pendine International Voice of the Future at the Llangollen International Musical Eisteddfod.

It will be the first full festival since before the COVID-19 pandemic and it all gets underway on July 4, when thousands of international competitors will once again be flocking to the Dee Valley town where “Wales meets the world”.

The Pendine International Voice of the Future competition is celebrating its 10th anniversary and is being sponsored by the arts-loving care organisation, Pendine Park, via the Pendine Arts and Community Trust (PACT) which supports cultural and community initiatives across Wales.

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Look back at the Llangollen International Musical Eisteddfod

In the past decade the contest has become one of the Eisteddfod's major highlights and Camilla King, the festival’s executive producer, said the aim was to advance the careers of the world’s most gifted young singers.

Last year’s winner, baritone Emyr Lloyd Jones, from Bontnewydd, near Caernarfon, was dubbed the new Bryn Terfel after his powerhouse performance.

He will be returning to Llangollen to take part in concert called The White Flower: Into the Light when he will be sharing the stage with Lleisiau Llan, a massed choir of 200 voices and the NEW Sinfonia orchestra.

Camilla King said: “The Pendine International Voice of the Future has become a very popular competition and the 43 entries we received this year is one of the highest number we've ever had.

"The standard is again very high but it's always hard to judge from the video presentations submitted to the panel.

“We know that Emyr (Lloyd Jones), last year's winner, sounded great when we watched his video entry but seeing him live was altogether a different experience.

"When we do the selections, and I head up the selection panel, they are of differing standards depending on what resources they have available but you can always tell quality and that is what is so exciting about this competition.”

The selection panel have whittled down the entrants to the 25 singers who hail from Wales and Scotland as well as further afield from Canada, South Africa, China, Korea, Australia and the Philippines.

They will have to navigate a preliminary round on July 6, and a semi-final the following evening before the final competition on the famous International Pavilion stage on July 8.

Competitors, who are aged between 20 and 32, are required to perform a contrasting programme of up to seven minutes in length for their preliminary round and up to 10 minutes for the final.

Camilla said the programmes must include contrasting pieces from oratorio, opera, lieder or song and be sung in the original language.

Eisteddfod officials have agreed to a significant change in the competition with three singers set to take part in the final rather than the two in previous years.

"We're having three singers in the final this year. It was such a great final last year and the audience enjoyed it so much and the quality is so high we thought why not have a third finalist," said Camilla.

The winner will be presented with the Pendine Trophy, a solid silver salver, and a cheque for £3,000 as well as having the opportunity to perform in concerts at the Eisteddfod and other venues.

Meanwhile, the runner up will receive £1,500.

The International Accompanist competition, which is linked to the main singing competition, carries a prize of £1,000.

Pendine Park proprietor Mario Kreft MBE said: "The standard of the competitors in years past has been absolutely phenomenal and I have no doubt it will be incredibly high again this year.

"I wish all 25 young singers all the very best in this year's Pendine International Voice of the Future competition. 

“I do not envy the task of the adjudicators as the singers are all so extraordinarily accomplished."

The prize will be jointly presented to the winner by Nia Davies Williams, Pendine Park’s musician-in-residence and Sarah Edwards, the organisation’s artist-in-residence.